DV Pix - Image Defects due to Tape Problems |
|
Sony
dropout
(c) 1998 Origin8 Video |
A single-frame dropout of 32 horizontal pixels by 8 vertical pixels. It occurred on a Sony miniDV tape from October 1995, shot in a VX1000. This dropout appears every time the tape is played in a Sony DCR-VX1000 or DHR-1000, but oddly enough it does not appear when the tape is played in a JVC GR-DV1u -- the only case I know of in which the GR-DV1u outputs a superior picture! Perhaps this particular defect is due to an obscure bug in the Sony codec, causing a "dropout" to appear where one isn't actually present? In close-up this patch is non-uniform; it consists of differently colored pixels, but does not appear to replicate any other set of pixels in the image. |
Panasonic
dropout
(c) 1998 Origin8 Video |
Another single-frame dropout. This one, measuring 32 horizontal by 20 vertical pixels minus a 16 x 4 chunk, is on a Panasonic miniDV tape shot in a VX1000; it's the worst "real" single-frame dropout I've seen in three years of shooting. I've had other similar dropouts occur in playback due to debris on the tape, but replaying the same scene again worked without any visible dropout. (This image is 2/3 of the way through a dissolve, explaining the odd, ghostlike superimposed pictures.) |
banding during recording (c) 1998, 2000 MeetsTheEye, Inc. |
Banding: this defect occurs when
one of
the two heads on the scanner clogs or fails. In this example, the
VTR is
starting to play through a section of damaged tape (the tape became
jammed
in a camcorder and a portion was creased and crumpled). As the tape
plays,
bands "freeze" as one of the heads ceases to reproduce clean data,
so whatever
was last placed in the frame buffer remains onscreen while the other
head
continues to play. In this example, allowing the playback to
continue usually
causes the remaining "live" bands to freeze as the most heavily
damaged
section of tape is reached; as the damaged section passes, one set
of bands
starts to show "live" data again, followed by the entire picture
going
live. Other times, head cleaning is necessary to restore a
fully-live picture.
This sample is from a 525/59.94 ("NTSC") tape, so 10 bands are
present.
In 625/50 ("PAL"), 12 bands would be seen.
I have only had this sort of noticeable banding occur once when recording. A head clogged momentarily, and I had five frozen bands for about three seconds in the middle of a take. Apparently a speck of debris (such as residual ME tape coating) stuck to the head, then wore away. A single frame of this sort of banding occurs fairly often, perhaps as often as once every tape or two, but is hardly noticeable with most picture content in which there is little motion from one frame to the next to call attention to it. It's less of a problem with higher-quality tapes, and I've never seen it on DVCAM or D-7. |
Multiple
Dropout
(c) 1998, 2000 MeetsTheEye, Inc. used by permission |
Other dropout: following the head clog described above, the frozen bands "digitally dissolved" out, resulting in the mosaic of dropouts as shown here during the "dissolve". At this point, the head clog was mild enough that some correct data were getting to tape; only intermittent failures were occurring as the speck of debris was being polished away by the passage of the tape. |
Technical Details: images were shot on a Sony DCR-VX1000 3-chip DV camcorder. The tapes were played in a DHR-1000 DV VTR and captured digitally using the DPS Spark (Adaptec AHA-8940) IEEE-1394 I/O card on a P133 Wintel machine. The resulting AVI video clips were opened in Adobe Premiere 4.2 and the desired frames were exported as 24-bit Windows BMP files using the Adaptec DVSoft codec; the BMPs were then read into Adobe Photoshop LE. Images were downsized to 180x120 using bicubic interpolation and saved as high-quality JPEGs to preserve visual quality; these JPEGs are very close in appearance to the original images. Images are shown with square pixels, although for a proper 4:3 aspect ratio these 720x480 images should have pixels that are 12.5% taller than they are wide.
Copyright (c) 1998, 2000 by Adam J. Wilt.
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Last updated 20 August 2000.